Nikon D3X Avis | 108 Données comparées

The DPReview in-depth evaluation crowns the Nikon D3X the "king of the high-resolution DSLRs," earning a "Highly Recommended" rating and an 86% score. Geared toward studio and landscape work, its 24.5-megapixel full-frame CMOS sensor delivers superior low-ISO detail, paired with a robust, weather-sealed body, dual CF slots, and exceptional 51-point AF. Conversely, the 14-bit RAW files result in a slower 5 frames per second shooting speed, and its native ISO range is limited to 100–1600, limiting low-light versatility compared to the D3. Other drawbacks include a high launch price, lack of a built-in dust removal system, and occasionally inconsistent auto white balance under artificial light.

The Nikon D3X is a professional-grade full-frame dSLR camera that excels in delivering astonishing, clean, and rich pictures with a highly impressive 24.5-megapixel FX CMOS sensor. Built with a weather-sealed magnesium alloy body, it offers superb durability, excellent dual compact flash slots, and an intuitive menu hierarchy. Photographers will benefit from outstanding dynamic range, tonality on par with medium-format film, accurate colour rendering, and a highly versatile 51-point autofocus and bracketing system. Reviewing images is also made incredibly efficient due to its magnificent 3-inch, 920,000-dot secondary-supported LCD screen. However, the camera has notable limitations, starting with a steep AU$14,000 price tag and a complete lack of video recording functions. Compared to its predecessor (the D3), its burst speed drops significantly from nine down to just five frames per second. Furthermore, it features a relatively low and limited native ISO range (100 to 1600), visible image noise at full magnification on higher ISO settings, and lacks an automatic sensor-cleaning mechanism. Minor setbacks also include loud mirror noise and occasionally skewed indoor white balance settings.

The Trusted Reviews evaluation of the Nikon D3X highlights a 24.5-megapixel FX-format sensor that delivers exceptional fine detail, housed in a robust magnesium alloy body with a 300,000-cycle shutter. Key strengths include a highly accurate 51-point autofocus system and a 5 fps shooting speed at full resolution, making it a powerful tool for studio and commercial photographers. Conversely, the camera is limited by extreme weight, bulk, and a high cost, along with a narrower native ISO range (100–1600) compared to speed-oriented models. Reviewers also noted that the autofocus, while generally excellent, can occasionally struggle to lock on in low-contrast, dim lighting conditions.

summary of the Nikon D3X camera review: Review Summary The Nikon D3X is an exceptional, professional-grade 24.5-megapixel full-frame DSLR that delivers stunning image quality, top-tier color accuracy, and class-leading low-light performance with minimal noise up to ISO 6400. Built for rugged environments, it features a weather-sealed magnesium alloy body, an integrated vertical grip for comfortable portrait shooting, and dual CompactFlash card slots for highly flexible storage options. Its 51-point autofocus system tracks moving subjects excellently and continues to focus quickly even in dark conditions down to EV -2. However, the camera requires noticeable trade-offs to achieve its high pixel count, most notably a reduced burst speed of 5 frames per second and a lower top sensitivity compared to the 12.1MP Nikon D3. Unlike some other modern models, the body lacks a built-in sensor-vibrating dust reduction mechanism and does not include a pop-up flash. Additionally, capturing massive 14-bit RAW files means storage fills up rapidly, and the steep $8,000 retail price positions it strictly as a major investment for professionals and serious enthusiasts.

The Nikon D3X sensor delivers exceptional raw performance on the DxOMark Review. It features a high-resolution 24.6-megapixel full-frame CMOS sensor. A major pro is its 14-bit Analog/Digital converter. This hardware allows an effective information depth over 12 bits. It ensures exceptional tone scale reproduction. The camera reaches a low ISO 78 setting. This feature optimizes low-ISO dynamic range measurements. Maximum dynamic range hits 13.7 bits in print mode. It beats the Sony A900 by one full stop. It also boasts an exceptional color depth of 24.7 bits. However, the camera suffers from specific sensor limitations. A primary con is lower performance at high ISO sensitivities. Above ISO 800, dynamic range drops below the Canon 5D MKII. Additionally, this DxOMark Analysis focuses strictly on RAW metrics. It completely omits body robustness, processing, optics, and price. Overall, the platform crowns the Nikon D3X a category leader. It successfully sets a new milestone for digital image depth.

The camera's primary drawback is its restrictive US $8,000 retail price, which commands an steep $4,000 premium solely for the sensor compared to its sibling, the D3. Performance limitations also emerge during shooting; its speed drops significantly from 5 frames per second (FPS) in 12-bit mode down to under 2 FPS when shooting in 14-bit mode. Furthermore, the D3x lacks a sensor dust-cleaning mechanism, and its high ISO noise control falls short of competitors like the Canon 5D Mark II, which edges it out significantly. Ultimately, while the D3x delivers top-tier results, more compact and affordable alternatives from Sony and Canon offer highly competitive performance at a fraction of the cost.

Ken Rockwell identifies the Nikon D3X as a specialized, ultra-high-resolution studio camera boasting a 24.5-megapixel FX sensor that delivers exceptional sharpness and superior, in-camera JPEG processing. Praised for its rugged, professional-grade ergonomics and seamless compatibility with Nikon's existing lens ecosystem, it is considered ideal for studio, landscape, and fine-art photography. However, the review cites significant drawbacks, notably the high initial $8,000 price point and a limited native ISO range of 100 to 1,600. Furthermore, the D3X is restricted by a slower 5 frames per second burst rate, leading Rockwell to conclude that for most users, the standard Nikon D3 offers better real-world value than the D3X’s added resolution.

The ⁠PistonClick review highlights the Nikon D3X as a compelling choice for amateur and semi-professional motorsport photographers looking to experience a pro-level camera body at a significantly reduced second-hand price point. Originally a premium £5,500 studio camera, used units can be found in excellent condition with remarkably low shutter counts. The camera's main advantages include its exceptional, "built like a tank" construction—proven when it survived a full submersion in muddy water—and a durable shutter mechanism rated for 300,000 cycles. Crucially for trackside photography, its 24.5-megapixel sensor outpaces many newer pro-line models like the Nikon D6, providing ample resolution that allows budget-conscious photographers to crop deeply into images to compensate for shorter telephoto lenses. Furthermore, it outputs highly detailed, high-quality files that look visually superior to contemporary alternatives like the Nikon D4. However, the reviewer details notable performance limitations when adapting this studio-centric camera for fast-paced action. The biggest drawback is its sluggish frame rate, which is capped at a maximum of 5 frames per second (fps) in full-frame (FX) mode. Photographers can increase this to 7 fps by switching to...

In his June 2009 review for The Digital Journalist, Chick Harrity proclaims the Nikon D3x to be the best digital DSLR he has ever used, crowning it the full-frame market's quality leader. The prominent pros highlighted in the review focus heavily on its 24.5-megapixel sensor, which produces incredible resolution, dynamic range, image depth, and color fidelity. The camera boasts an excellent build quality similar to the original D3 and features an improved NEF buffer capacity that holds 21 to 34 images. Additionally, feedback from landscape photographer Wes Thollander notes that the camera renders tonal changes with exceptional subtlety and smoothness, rivaling traditional 4x5 film equipment while being far easier to handle.

The Nikon D3X review by John Rettie highlights the camera as a rugged, highly capable fusion of a high-resolution medium-format studio camera and a fast 35mm photojournalist tool. Tested in the harsh, dusty terrain of the Dakar off-road race, the $8,000 camera excelled due to its extreme physical durability, solid weather sealing, and excellent ergonomics adapted from the original D3 body. Its standout feature is the 24.5-megapixel CMOS sensor, which produces massive, high-quality images (6048 x 4032) that provide exceptional cropping flexibility. Additionally, the reviewer praised the high-resolution 3-inch rear LCD screen, dual storage card slots, and an impressively resilient sensor that remained clean despite the lack of a built-in dust removal system. However, the review details several prominent drawbacks, noting that the camera's high resolution comes with a steep trade-off in speed, storage, and low-light performance. The 5 frames-per-second continuous burst rate is notably slower than the base D3 model, and images suffer from higher digital noise when pushing past ISO 1600. Furthermore, the massive file sizes—averaging 22MB for RAW files—unnecessarily consume storage space, demand significant computer processing power,...

The Nikon D3X is a professional-grade DSLR camera built heavily for durability, weather-sealing, and continuous ergonomic use with its dual horizontal and vertical shutter releases. While it is no longer Nikon’s newest model and its 24.5-megapixel resolution is matched by newer high-end amateur bodies, it continues to deliver exceptional performance in image quality. Testing reveals an accurate and fast 51-point autofocus system that handles moving subjects with ease, as well as remarkably low noise levels at higher settings like ISO 6400. Furthermore, the camera stands out for its high color accuracy and an impressive usable dynamic range, which is particularly notable at ISO 50 where dark areas can be recovered with minimal noise.

The ePHOTOzine hands-on review of the Nikon D3x highlights its 24.5-megapixel FX-format CMOS sensor, which delivers superior light transmission, high-end studio performance, and exceptional detail. The camera is noted for its fast, responsive Multi-CAM 3500 autofocus system and accurate color reproduction, making it ideal for professional portraiture. However, the high-resolution sensor requires compromises, specifically a limited native sensitivity range of ISO 100 to 1600 and a slower, 5 frames-per-second continuous burst rate at full resolution.

The What Digital Camera review of the Nikon D3X highlights a 24.5-megapixel FX-format DSLR designed for professional studio and landscape work, offering exceptional image quality and dynamic range. Praised for its robust handling, identical to the D3, it features precise exposure metering, a 100% viewfinder, and excellent battery life. Conversely, the review notes drawbacks including a limited native ISO range (100-1600), slower burst rates, and the absence of a built-in dust-reduction system. Additionally, the camera is cited for lacking a built-in flash and commanding a high launch price, making it ideal for high-resolution work rather than low-light action.

The Neocamera review highlights the Nikon D3X as a flagship professional DSLR designed for ultimate resolution performance. Its pros include an impressive 24-megapixel full-frame CMOS sensor capable of capturing high-quality images ready for large prints up to 18" x 24". The camera boasts advanced professional features such as an integrated vertical battery grip with duplicate controls, dual Compact Flash slots, a built-in viewfinder shutter, and a single-axis digital level (Virtual Horizon). Furthermore, it is praised for its excellent ergonomics and heavy-duty, weather-sealed magnesium body, which provides direct access buttons for almost every primary setting, rendering the menu system rarely necessary. On the downside, the review identifies several notable cons. Due to the high pixel-density sensor, the camera has a reduced continuous drive speed of 5 FPS and a restricted standard sensitivity range of ISO 100–1600 (expandable to 50–6400), which falls short when compared to the low-light capabilities and 9 FPS speed of sister models like the Nikon D3S. Additionally, it is incredibly heavy and bulky, weighing 1.2 kg and standing over 15 cm tall, which entirely eliminates discretion. Other negative...