Panasonic LUMIX DMC FZ2500 Avis | 108 Données comparées

The Panasonic Lumix DMC-FZ2500 (FZ2000) is a hybrid bridge camera geared toward videographers, featuring excellent 4K video, a built-in variable ND filter, and professional-grade tools like unlimited recording. Its robust design, including a comfortable grip and a fully articulating touchscreen, enhances usability for video, although it lacks weather sealing. Conversely, the camera suffers from significant lens softness and a heavy 1.4x crop in 4K, which reduces wide-angle capabilities. Furthermore, the JPEG engine produces aggressive noise reduction and, for stills photographers, the image quality falls short of competitors like the Sony RX10 III.

The PCMag review highlights the Panasonic Lumix DMC-FZ2500 as a capable hybrid bridge camera with a 1-inch sensor, featuring quick autofocus, solid high ISO performance, and a robust 4K video toolset with built-in ND filters. It offers a comfortable grip, sharp EVF, and a flexible touchscreen, making it a strong option for videographers. However, the review heavily criticizes the 20x zoom lens, noting significant, disappointing softness at the telephoto end. Coupled with a $1,199.99 MSRP and lack of weather sealing, PCMag suggests that photographers prioritizing image sharpness should consider alternatives, despite the FZ2500's video prowess.

The Panasonic Lumix FZ2500 (known as the FZ2000 outside the US) is a high-performing DSLR-style superzoom bridge camera featuring a 20.1MP 1.0-inch CMOS sensor paired with a Venus processing engine. It features an expanded 20x optical zoom lens spanning a 24-480mm equivalent range with a variable f/2.8-4.5 aperture. The camera heavily targets videographers by offering advanced 4K DCI and UHD video recording, built-in physical ND filters, and a guide-pole internal zoom mechanism designed to keep footage smooth and stable. It also introduces a 3.0-inch fully articulating touchscreen and a larger electronic viewfinder magnification compared to its predecessor, the FZ1000. Pros and Cons Breakdown The camera delivers a well-rounded feature set that stands out due to its core strengths but also carries a few limitations: Super-fast autofocus system that locks onto subjects quickly. Great image stabilisation across a 5-axis hybrid system. Excellent image and video quality driven by the large 1.0-inch sensor. No weather sealing which limits outdoor shooting in harsh conditions. High launch price that almost doubles the cost of the older FZ1000. Shorter and darker lens compared to some...

The Shutterbug review highlights the Panasonic FZ2500 as a robust, professional-grade bridge camera tailored for videographers, featuring a 20x Leica zoom lens, fast autofocus, and advanced 4K capabilities like built-in ND filters. However, lab tests revealed a disappointing dynamic range of only 8.62 f-stops and a high $1,197.99 price point, limiting its appeal despite excellent video features. Shutterbug.com

or "wobbles," especially during lower-light video pans or when using longer focal lengths. Additionally, battery life is relatively weak—yielding only 270 to 350 shots per charge—and it is further hindered by the camera's inability to be recharged on the go over USB. Finally, while the 4K video quality is excellent, it triggers a tight 1.5x sensor crop that dramatically narrows the wide-angle field of view, and the continuous mechanical burst mode remains limited to 12fps without continuous live view.

The ePHOTOzine review highlights the Panasonic Lumix FZ2000 (FZ2500) as a versatile 20.1-megapixel hybrid bridge camera featuring a 20x optical zoom lens, excellent autofocus, and unlimited 4K CINE video capabilities. Key pros include extensive customization options, built-in ND filters, a bright OLED viewfinder, and fast, responsive handling suitable for both photo and video tasks. Key cons focus on the Leica lens design, which stops down to f/4.0 by the time it reaches an 80mm equivalent, limiting the bright f/2.8 aperture to the wider end. Additional drawbacks mentioned are the lack of weather-sealing and warm auto white balance results in tungsten lighting, though it remains a strong all-in-one choice.

The Panasonic Lumix FZ2500 (also known as the FZ2000) is a feature-rich bridge camera designed with a heavy emphasis on videography. Launched as an upgrade to the FZ1000, it expands its built-in zoom lens to a 20x optical range (24-480mm equivalent) with a variable aperture of f/2.8-4.5, making it highly capable for capturing distant wildlife or sports. The camera stands out for its video-centric physical design, including a relocated memory card slot on the side for easy access while mounted on tripods, half a dozen customizable buttons, internal focusing that prevents the lens from expanding during operation, and both microphone and headphone jacks. Furthermore, it boasts unrestricted 4K video recording time alongside three built-in ND filters, offering immediate creative flexibility in bright shooting conditions. However, the review highlights notable drawbacks that prevent it from being a mandatory upgrade, particularly for pure still photographers. On the positive side (pros), users benefit from effective five-axis image stabilization, a rugged and stable hand grip, and premium audio connectivity. On the negative side (cons), the camera is hindered by a relatively small 1-type MOS...

The Panasonic FZ2000 is a premium, feature-packed bridge camera designed primarily as an advanced tool for serious amateur video production. On the plus side, it stands out with professional-grade videography capabilities, including support for Cinema 4K, All-Intra 1080p compression, built-in variable neutral density (ND) filters, and dedicated headphone and microphone jacks. Users will also benefit from its fast autofocus performance, extensive physical controls (such as dual command dials and customizable Fn buttons), and a responsive touchscreen that makes subject tracking effortless. However, the camera's largest drawback is its built-in f/2.8-4.5 lens, which delivers somewhat soft focus and a hazy glow around highlights, particularly at longer focal lengths. In low-light environments, the 1-inch sensor struggles with noise, resulting in smudged textures when the ISO is pushed higher. Furthermore, 4K video recording applies a 1:1 pixel crop that alters the lens focal length to a tighter 38-760mm equivalent, limiting wide-angle shooting and carrying over the lens's sharpness limitations. At a steep launch price of £1,100, the lack of interchangeable lenses makes it a risky single-lens investment compared to flexible mirrorless alternatives.

The ⁠DXOMARK sensor review highlights the Panasonic Lumix DMC-FZ2000 as a top-tier filmmaker's choice, earning an overall sensor score of 70. The camera features a 20.1-MP 1.0” type BSI MOS sensor paired with a versatile Leica 24-480mm equivalent f/2.8-4.5 OIS zoom lens. Major pros identified in the review include its excellent dynamic range measuring a usefully wide 12.6 EV at base ISO 100, and a high color depth of 22.9 bits, ensuring strong color discrimination. It is heavily praised for video capability, offering 4K capture (DCI and UHD) at 30 and 24 fps, a built-in variable ND filter, 10-bit 4:2:2 live HDMI output, and native mic/headphone jacks. However, the review lists notable potential drawbacks that could impact specific workflows. A major con is the 1.4x crop factor when shooting in 4K video, which reduces the effective wide-angle field of view. Additionally, the camera suffers from a limited automatic ISO implementation and lacks support for USB charging. The review also points out that while the 1” sensor performs adequately in low light by hitting the 38dB threshold at base ISO, managing...

The Panasonic Lumix DMC-FZ2000 is a flagship hybrid bridge camera designed for advanced amateurs and prosumers, serving as a heavily upgraded successor to the FZ1000. Resembling a bulky SLR, it weighs 966g and features a 1-inch, 20-megapixel backlit CMOS sensor paired with a high-quality, fixed LEICA DC VARIO-ELMARIT 24-480mm f/2.8-4.5 lens. The lens benefits from internal focusing and an internal zoom mechanism that stops it from pumping air or dust onto the sensor. It provides intuitive physical controls, a free-angle 3-inch touchscreen, 0.74x magnification viewfinder, and three built-in ND filters for controlling exposure in bright lighting. Performance-wise, the auto-intelligent focus mode highly impresses by accurately identifying main subjects like birds while completely bypassing foreground obstructions. The review highlights distinct strengths and weaknesses for this bridge camera, particularly regarding its extensive video capability. Pros High Image Quality: Delivers excellent picture performance that matches the convenience of carrying a massive range of focal lengths. Full-Fledged Video Capabilities: Supports unlimited 4K video recording with no 30-minute auto-stop limit, standard microphone/headphone jacks, peaking, zebra focus, and an internal galvanometer to prevent sharp aperture exposure...

The Panasonic Lumix FZ2000/FZ2500 is a video-centric, fixed-lens bridge camera equipped with a 1-inch sensor, offering notable advantages for documentary and travel filmmakers. Its most standout features are the unlimited video recording time in a single take and the inclusion of a physical, built-in ND filter switch on the lens barrel, which is typically found only on professional cinema cameras. Additionally, the camera supports versatile video formats up to UHD 4K at 30fps and 4K DCI at 24fps, includes flat color profiles like Cinelike D and V, and supports 10-bit 4:2:2 output via its Micro HDMI port. Filmmakers will also benefit from its strong battery performance—yielding up to two hours of continuous 1080p shooting—alongside a responsive swivel touch screen, highly effective 5-axis image stabilization in Full HD, and useful assist features like focus peaking and zebras. However, the reviewer highlights several significant compromises regarding image quality and performance. The camera suffers from a weak dynamic range and a noisy image sensor, which causes video to appear mushy and noisy under low-light or indoor conditions, even when utilizing external 10-bit recording....