Nikon AF Fisheye NIKKOR 16mm F 2 8D Avis | 54 Données comparées

The Tokina 16-28mm f/2.8 AT-X PRO FX is praised as a budget-friendly, top-tier ultrawide zoom for FX cameras, offering optical sharpness comparable to Nikon and Canon elite lenses. Pros include the fast f/2.8 aperture, exceptional sharpness across the frame, and a rugged, professional build. Conversely, the lens is heavy, bulky, and cannot accept screw-on filters due to a bulging front element, making it impractical for some landscape photographers. It is also not recommended for DX-sensor cameras and lacks compatibility with manual-focus bodies.

The Have Camera Will Travel review highlights the Nikon AF Fisheye-NIKKOR 16mm f/2.8D as a compact, lightweight full-frame lens delivering a 180° diagonal field of view and solid low-light performance at f/2.8. It is praised for its portability compared to modern alternatives and its Close Range Correction system that maintains sharpness at close focusing distances. Conversely, the lens produces significant barrel distortion, making it a specialized tool rather than a versatile walk-around lens. The design also lacks traditional screw-in filter support due to its protruding front element and relies on a rear filter system, while the small, built-in hood offers minimal protection against flares, dust, and fingerprints.

The Nikon AF Fisheye-Nikkor 16mm f/2.8D is a compact, full-frame fisheye lens that provides a diagonal 180° view on FX digital bodies and film cameras, though it narrows to a 107° angle (24mm equivalent) on DX bodies where its extreme distortion is less ideal. Introduced in 1993, the lens is praised for its outstanding center sharpness and impressive contrast right from its maximum f/2.8 aperture. It features excellent build quality, dedicated depth-of-field and infrared markings, and robust flare handling when kept clean. Crucially, it relies on a unique rear bayonet filter system; omitting this filter prevents the lens from focusing to infinity, though it can intentionally be removed to improve close-up focus sharpness. Despite its stellar central performance, the lens exhibits noticeable flaws, including chromatic aberration (CA) in harsh lighting from f/2.8 down to f/11, and weak corner sharpness that requires stopping down to f/8 or f/11 for absolute perfection. It also displays minor vignetting and light fall-off between f/2.8 and f/5.6 on FX bodies like the Nikon D3. On the physical side, the included plastic slip-on lens cap sits...

The Nikon 16mm Fisheye Review by Trey Ratcliff on Stuck in Customs highlights this specialized prime lens as a niche but highly entertaining tool for landscape and structural photography. Ratcliff emphasizes that the lens shines brightest when there is an overwhelming amount of visual information to capture in a single frame, surpassing the capabilities of traditional ultra-wide-angle lenses. Its core strengths lie in its extreme 180-degree field of view, which allows photographers to cram massive structures or sweeping vistas into the image. Additionally, the review notes its practical utility for creative compositions, interior design patterns, and handling unique night-sky astrophotography scenes, such as capturing the Milky Way or stars with excellent contrast. Conversely, the review and associated shooting experiences reveal a few specific drawbacks to this specialized piece of glass. A major limitation is its specialized nature; it is a rarely used tool rather than an everyday walkaround lens, making it a questionable long-term investment for casual shooters. The distinct "fisheye look" introduces extreme barrel distortion that warps straight lines into curves. While this distortion can be corrected in post-processing...

The Have Camera Will Travel review highlights the Nikon AF Fisheye-NIKKOR 16mm f/2.8D as a compact, lightweight tool for capturing punchy, ultra-wide-angle images with significant distortion. Key advantages include its sharp optical performance across the frame, a fast f/2.8 aperture suitable for low-light interiors, and a deep depth-of-field that minimizes focusing errors. Have Conversely, the lens features a protruding front element that limits filter options to dedicated rear drop-ins and comes with a loose-fitting front cap. Furthermore, the extreme barrel distortion requires careful composition to avoid warping, and the older D-type design loses autofocus functionality when used on modern mirrorless cameras with adapters.

The Travis Hale review highlights the Nikon 16mm f/2.8 AF Fisheye as a specialized full-frame (FX) lens ideal for creating dramatic, artistic compositions and detailed spherical panoramas. It is positioned as the FX counterpart to the 10.5mm DX fisheye, offering a reliable prime option for extreme wide-angle, specialized shooting. However, the lens is limited by severe image distortion concentrated at the edges of the frame, which restricts its utility for standard, everyday photography. Due to these extreme optical characteristics, the review classifies it strictly as a niche, creative tool rather than a versatile, general-purpose lens.

The Have Camera Will Travel review finds that the Nikon 16mm f/2.8D Fisheye is a compact, high-performance legacy lens that provides sharp, 180-degree diagonal images on Nikon Z-mount cameras using an FTZ adapter. Its pros include excellent low-light capability and solid integration with Z-system features like IBIS, though it requires manual focusing and produces significant chromatic aberration in high-contrast scenes. Have Despite the lack of autofocus on Z cameras, the lens is described as a highly portable, "must-have" option for creative, ultra-wide perspectives. The review notes that the deep depth-of-field makes focusing manageable, and the lens excels at delivering dramatic, punchy visuals.