Nikon NIKKOR Z DX 16 50mm F 2 8 VR Avis | 54 Données comparées

The Nikon Nikkor Z DX 16-50mm f/2.8 VR is a versatile, lightweight standard zoom lens designed specifically for Nikon's DX-format (APS-C) mirrorless cameras, offering a 24-75mm equivalent focal length range. Weighing just 330g, it serves as an excellent everyday walkaround or travel lens that delivers very sharp image quality from edge to edge across all aperture ranges and focal lengths. Key advantages highlighted in the review include its bright constant f/2.8 maximum aperture for low-light shooting and soft bokeh, a highly effective built-in vibration reduction system, and a remarkably close minimum focusing distance of 0.15m. Additionally, it features a dust and drip-resistant build with a high-quality metal mount, alongside fast, quiet autofocus performance that makes it equally well-suited for video recording and discreet environments. Despite its high marks and 4.5-star recommendation, the review points out a few drawbacks, with its primary con being a steep price tag of $895 / £799, which is quite expensive for a DX lens and costs nearly as much as the camera bodies it pairs with. On the physical side, the exterior design is minimalist...

The Imaging Resource review characterizes the Nikon NIKKOR Z DX 16-50mm f/2.8 VR as a premium, versatile standard zoom for APS-C Z-mount cameras, highlighting its constant f/2.8 aperture, exceptional center sharpness, and robust 5-stop Vibration Reduction as major pros. The 330-gram, weather-sealed lens is ideal for low-light shooting and video, with suppressed focus breathing and a clickless control ring. Conversely, the review notes cons including soft corners at wide apertures, significant native distortion, and vignetting at 16mm, alongside a lack of physical AF/VR switches on the barrel. Furthermore, its premium price tag and external-zooming design set it apart from cheaper, lighter, but less capable kit lens alternatives.

The Nikon NIKKOR Z DX 16-50mm f/2.8 VR is a fast-aperture, 24–75mm equivalent midrange zoom designed for APS-C mirrorless cameras, offering a constant f/2.8 aperture in a compact 330g body. Key advantages highlighted include effective built-in vibration reduction, a quiet stepping motor, and impressive close-focusing capability with a 0.24x reproduction ratio. Conversely, the lens lacks physical controls, omitting dedicated focus switches, focus scales, and depth-of-field indices on the barrel. It also depends heavily on in-camera digital corrections to manage distortion and lacks high-end coatings like Nano Crystal or ARNEO.

The ePHOTOzine review highlights the Nikkor Z DX 16-50mm f/2.8 VR as a compact, lightweight, and high-performance lens, delivering outstanding sharpness and contrast from f/2.8. Key advantages include its 4.5-stop Vibration Reduction, minimal focus breathing, rapid stepping autofocus, and reliable dust/drip resistance. Conversely, the lens features a design with significant external zoom extension and lacks external toggle switches for AF/VR, requiring menu navigation for adjustments. While overall sharp, the lens exhibits slightly softer corners at 16mm when shooting wide open at f/2.8, which quickly improve upon stopping down.

The Nikon NIKKOR Z DX 16-50mm f/2.8 VR is a fast, compact standard zoom lens priced at $900, designed specifically for Nikon's APS-C (DX) mirrorless cameras like the Z30, Z50, and Z fc. Weighing 11.6 ounces, the lens offers a versatile 24-75mm full-frame equivalent focal range and features a durable build with a metal mount, weather gasket, and a customizable control ring. Its standout optical strengths include exceptional center sharpness and punchy contrast throughout the zoom range even at f/2.8, beautiful bokeh with clean, rounded highlights, and minimal focus breathing—making it a strong everyday tool for handheld video shooters and portrait photographers alike. However, the lens has several distinct drawbacks that require user awareness. The corner image quality is notably soft when shot wide open at f/2.8, requiring users to stop down to f/4 or f/5.6 for optimal edge-to-edge sharpness. Without in-camera or non-linear editing (NLE) profile corrections enabled, raw files suffer from heavy vignetting at f/2.8, strong barrel distortion at 16mm, and pin-cushion distortion at 50mm. Additionally, chromatic aberration is present at its widest aperture, flare resistance is weak...