Tamron 28 200mm F 3 8 5 6 XR Di Avis | 54 Données comparées

The Tamron 28-200mm f/3.8-5.6 XR Di Aspherical Macro is a compact, lightweight 7.1x super-zoom, weighing only 354g with a 62mm filter thread. It offers versatile performance, including a 1:4 macro ratio, with specialized XR and aspherical elements designed for enhanced digital sensor compatibility. Cons include a variable aperture, dropping to a dark f/5.6 at the telephoto end, which limits low-light performance. Additionally, the lens shows noticeable chromatic aberration, moderate softening at 200mm, and relies on an all-plastic construction.

The Tamron 28-200mm f/3.8-5.6 XR Di Aspherical IF Macro AF is a highly versatile, all-in-one superzoom lens optimized for both 35mm film cameras and digital SLRs. It is widely praised for its incredibly compact and lightweight design, achieving a 25% reduction in size and a 27% reduction in weight over its predecessor by utilizing high refractive index (XR) glass. Key pros include its multi-coated Di optical system that minimizes ghosting and flare, well-corrected distortion, and an impressive minimum focusing distance of 0.49 meters across the entire zoom range, allowing for 1:4 macro photography. Furthermore, physical attributes like a metal lens mount, a manual aperture ring, and an internal focusing (IF) mechanism add great build value and compatibility for older camera bodies. However, the lens does come with noticeable performance compromises typical of high-magnification zooms. The major cons include subpar image sharpness and lower resolution at the telephoto end, particularly when shooting wide open below f/8 or exceeding focal lengths of 150mm. It also exhibits visible chromatic aberrations (purple fringing) in the telephoto range and lacks built-in optical image stabilization, making...

Mark McMahon's review of the Nikon F50—tested with a Tamron AF 28-200mm f/3.8-5.6 XR Di Zoom lens—highlights a budget-friendly but visually and ergonomically flawed film camera. Bought as a thrift find for only $19, the author initially cringed at the camera’s bulky, unappealing aesthetic and noted several functional drawbacks. Specifically, the F50 is designed primarily for older Nikon lenses, lacks focus assist when pairing it with manual lenses, and features a highly frustrating, puzzle-like menu system. Additionally, when testing it on a roll of Kentmere 100 film in Western Australia, McMahon found the camera awkward to operate and the paired Tamron lens to have significant distortion and a somewhat shaky autofocus. Despite these glaring cons, the review concludes that the camera is a highly functional tool capable of producing surprisingly excellent, sharp images. The core pros lie in its sheer affordability and the quality of the final results, which McMahon jokingly notes could rival "Hasselblad-worthy shots". While the Tamron 28-200mm zoom lens suffers from distortion, it counterbalances this by delivering fine focus and impressive clarity. Ultimately, the reviewer suggests that...

The Tamron 28-200mm F3.8-5.6 XR Aspherical IF lens serves as a highly versatile, budget-friendly everyday lens that is particularly optimized for street, animal, and travel photography. Its primary advantages lie in its expansive focal range, allowing photographers to seamlessly transition from wide-angle landscapes to close-up telephoto shots without swapping gear. Additionally, the lens features a lightweight, compact footprint weighing just 12.5 ounces and measuring three inches tall, which makes it highly portable and discrete for long days on foot. Its physical build is remarkably robust and durable, capable of reliably enduring harsh weather elements, dusty environments, and heavy handling over more than a decade of active use. However, the reviewer notes several trade-offs, most notably that the lens completely lacks built-in image stabilization, which requires relying on a camera body with in-body stabilization to avoid soft images in challenging environments. Optically, it is not the sharpest or fastest lens on the market, featuring a maximum variable aperture of f/3.8-5.6 that may underperform in very low-light conditions compared to specialized prime lenses. Despite these optical limitations, its low replacement cost of...