ZEISS Batis 25mm F2 Avis | 54 Données comparées

The Zeiss Batis 25mm f/2 is described as a lightweight, weather-sealed prime lens for Sony full-frame cameras that offers excellent image quality, including tack-sharp, even resolution across the frame, high contrast, and vibrant color rendition. It features a unique OLED display and quick, silent autofocus, making it a compelling option for demanding photographers. Key drawbacks highlighted include pronounced vignetting when shooting at f/2, which often requires lens profile corrections, and a lack of physical controls, such as a dedicated aperture ring or AF/MF switch. Additionally, some users may find the "chubby" lens design less appealing, according to the review.

The Zeiss 25mm f2.0 Batis is a lightweight and weather-sealed wide-angle prime lens designed for Sony full-frame mirrorless cameras, offering a popular field-of-view that is wider than 28mm without excessive distortion. It serves as a smaller, lighter, and more affordable alternative to Sony’s flagship FE 24mm f1.4 G Master lens, sacrificing one stop of light but delivering top-notch optical qualities. The lens stands out for its unique OLED display on the barrel that indicates focusing distance and depth-of-field, though this screen can be difficult to read in bright sunlight. Additionally, it features fast and quiet autofocus, highly accurate focus repeatability, and strong resistance against flare, glare, and ghosting. However, the review highlights several drawbacks, starting with optical compromises such as a less pleasing bokeh and noticeable focus breathing of about 3% when shifting focus. From a design and handling perspective, the non-linear gearing of the focus ring allows for precise manual adjustments but makes smooth focus pulling frustrating for videographers. The physical placement of the focus ring is also awkwardly close to the camera body, making it easy to miss...

The Zeiss Batis 2/25 (25mm F2) is a lightweight, wide-angle lens designed for Sony full-frame E-mount cameras, featuring a distinctively short, wide, and curved design language. Weighing only 335 grams (0.74 lb), its exceptionally light build makes it comfortable to carry given its fast F2 aperture. Key advantages highlighted in the review include its stellar image quality, which delivers top-notch sharpness and contrast even when shooting wide open. Additionally, it features weather sealing and a unique OLED display that shows focus distance and depth of field during manual focus, though the reviewer found limited day-to-day use for this screen. On the downside, the lens lacks physical, tactile controls like a dedicated aperture ring or an AF/MF toggle switch, requiring users to navigate camera menus to make these adjustments. The reviewer also notes that its "chubby" design becomes even more pronounced when the lens hood is attached. Ultimately, while the Batis 25mm is highly recommended if bought on a strict US$1,100 budget or found cheap on the used market, the reviewer concludes that spending an extra US$300 on the newer Sony...

The ZEISS Batis 25mm F2 Distagon T* is a premium, lightweight (335g) wide-angle prime lens designed for Sony FE-mount cameras that features a unique, customizable OLED display to track focus distance and depth of field. On the performance front, the lens delivers stellar static autofocus speeds—clocking in at an instantaneous 0.2 seconds in decent lighting—and boasts highly reliable continuous AF tracking. Optically, it excels with class-leading center sharpness even when shot wide open at F2, and it reaches peak tack-sharp, edge-to-edge uniformity across the frame when stopped down to F5.6–F8. Its advanced T* coatings provide superb control over flare and an almost total elimination of ghosting when light hits the corner of the frame, while background elements are rendered with a smooth, pleasing bokeh. However, the lens is not without its compromises, most notably experiencing extreme vignetting that drops over 2.5 stops wide open and stays high at 1.4 EV even down to F11, making in-camera automatic corrections highly recommended. It also displays a minor 1.1% pincushion distortion—unusual for a wide-angle lens—and its starburst rendering is relatively fuzzy and unimpressive....

The Zeiss Batis 25mm f/2 is an exceptionally well-built, weather-sealed wide-angle lens designed for Sony E-mount mirrorless cameras that delivers stellar image quality across various conditions. It features a sleek, minimal tulip design, a unique OLED screen for focus distance and depth of field readouts, and an infinite scroll rubberized focus ring. Equipped with the ZEISS® T* anti-reflective coating, the lens is highly resistant to flare and aberrations, producing second-to-none color rendering, contrast, and corner-to-corner sharpness even when shooting wide open at f/2. The reviewer found it to be an outstanding, versatile choice for landscape, architecture, and low-light handheld photography, boasting fast and accurate autofocus performance. Despite its premium performance and high build quality, the lens has a few notable drawbacks regarding value and specific optical traits. Its background bokeh can look busy and distracting at times, and it is not ideally suited for traditional portraiture beyond environmental shots. The primary downside is its high $1,300 price tag, which represents an $850 premium over the lighter, smaller, and highly capable Sony 28mm f/2 lens. Ultimately, while the Batis 25mm scores...

The Zeiss Batis 25mm f/2 is an exceptionally bright, full-frame wide-angle lens designed specifically for Sony E-mount mirrorless cameras, earning a high overall score of 92. Utilizing a modified Distagon retro-focus design to achieve excellent corner sharpness across a wide 82-degree diagonal field of view, it acts as a perfect, lightweight companion for high-resolution bodies like the Sony A7R II. Optically, the lens delivers remarkably even sharpness from edge to edge, reaching its peak center performance at f/4. It exhibits outstanding control over chromatic aberrations, flare, ghosting, and distortion (measured at just 0.45%). Furthermore, its unique 20 cm minimum focusing distance allows photographers to capture creative background blur and beautiful bokeh despite the wide focal length. A standout innovative feature of this lens is its bright OLED screen, which clearly displays real-time focus distance and focal depth tailored to the specific pixel size of the camera sensor in use. Additional pros include a quiet, fast, and precise fly-by-wire autofocus mechanism and an intelligent manual focus ring where the rotation arc dynamically adjusts to turning speed for quick or hyper-accurate adjustments....

The Carl Zeiss Batis 25mm f/2 Sony FE is an optically outstanding autofocus prime lens designed for Sony full-frame mirrorless cameras, earning the title of DXOMARK's highest-scoring wide-angle lens at its time of review. Key strengths include exceptional overall sharpness across most aperture settings, minimal and consistent barrel distortion of just 0.5%, and industry-leading light transmission of 2.0 stops. The lens features a dust- and moisture-resistant all-metal build, a lightweight 335-gram body, a close 20cm minimum focusing distance, and an innovative OLED display on the barrel. At a price point of $1,299, it provides an appealing, high-performing solution for landscape, architecture, and street photography. However, the review highlights several drawbacks, particularly regarding edge performance and vignetting. The lens exhibits fairly heavy vignetting scoring at –2.5Ev, with noticeable corner shading extending further into the frame at f/2 and f/2.8 compared to its main competitors. Sharpness drops off at its minimum aperture of f/22 and is not quite as uniform at f/2 as the manual-focus Zeiss Distagon T 25mm f/2. Additionally, it shows slightly more corner chromatic aberration/fringing at smaller apertures between...

The Zeiss Batis 2/25mm wide-angle lens for the Sony FE system earns an overall rating of 4 out of 5 stars, praised as an excellent, sleekly designed addition to the ecosystem. Key strengths include its swift, quiet autofocusing, accurate subject tracking, and a surprisingly responsive manual focus-by-wire system. The physical engineering stands out due to its lightweight build, great balance on bodies like the Sony A7R II, and a lens hood that seamlessly integrates into the barrel. It also features a unique, functional OLED screen on top of the lens to display distance and depth-of-field metrics. However, the lens has several drawbacks, notably uncorrected image quality that suffers from noticeable distortion and heavy vignetting, requiring in-camera or Lightroom profile corrections. Despite its premium $1,299 price tag, the plastic exterior lacks the high-end feel expected from Zeiss legacy gear. Furthermore, it lacks built-in optical image stabilization, and the modern focus-by-wire system still fails to completely replicate the tactile response of a traditional mechanical setup.

The Zeiss Batis 25mm f/2 is an exceptionally versatile, hi-tech wide-angle prime lens designed for Sony Alpha mirrorless bodies, heavily praised for its incredible edge-to-edge sharpness even when shot wide open at f/2. It features very minimal distortion and chromatic aberration, making it highly effective for landscapes, cityscapes, and architecture, while its close minimum focusing distance of 20cm unlocks smooth bokeh for creative macro photography and close-up portraits. A major standout feature is its innovative OLED display that precisely shows the current focus distance and depth-of-field focus plane, allowing landscape photographers to effortlessly dial in the hyperfocal distance. Additionally, the lens handles flare and glare exceptionally well when paired with its matching lens hood. Despite its high-end performance, the lens exhibits a few notable drawbacks, including prominent vignetting at f/2 that requires correction in post-processing. The OLED display is prone to being completely unreadable under direct sunlight without manually blocking the glare, and the screen remains inactive during standard autofocus mode unless explicitly configured otherwise in the manual. For astrophotography, the lens introduces slight fringing around stars when used wide...

The Zeiss Batis 25mm f/2 is a premium wide-angle prime lens designed specifically for full-frame Sony E-mount cameras, offering full autofocus via fast, quiet linear motors and a robust, weather-sealed construction. Drawing on the classic Distagon design, it features an innovative electronic OLED panel on the barrel that displays real-time focus distance and depth of field, which is highly practical for low-light shooting. It provides a minimalist design with no physical buttons or switches on the rubberised, smooth-focusing barrel, though it is notably larger and heavier than expected for a compact mirrorless system lens. Optically, the lens delivers exceptional sharpness, particularly in the centre at its maximum f/2 aperture, with its peak performance and optimum edge-to-edge sharpness landing between f/5.6 and f/8. On the downside, the lens exhibits visible vignetting (corner shading) and minor red and green fringing along high-contrast edges when shot wide open at f/2, though both issues resolve quickly as the lens is stopped down or corrected in post-processing. Additionally, it lacks optical image stabilisation and displays low-level barrel distortion, though the distortion is minimal enough to...

The Zeiss Batis 25mm f/2 Distagon T* for Sony E-mount is praised for its exceptional sharpness across the frame from f/2, weather-sealed construction, and innovative OLED display for focus distance. While delivering top-tier optical performance, the lens is noted for having a high price point and an OLED readout that functions as an approximation rather than a precise scientific tool.

Based on the review, the Zeiss Batis 25mm f/2 is a highly capable, modern autofocus wide-angle lens designed for Sony mirrorless cameras that balances nicely on both full-frame and crop-sensor bodies. Its standout advantage is its exceptional sharpness and high contrast, which delivers punchy images across the entire frame, even when tested on a demanding 42-megapixel sensor. Street and landscape photographers will appreciate its relatively compact and lightweight build, as well as its innovative electronic OLED display that dynamically calculates focus distance and depth of field. However, the lens is not without its drawbacks, most notably its high price tag and smooth rubber focus ring, which lacks texture and can be difficult to handle in cold or wet conditions. Optically, the lens suffers from visible lateral and stubborn longitudinal chromatic aberrations that do not clean up quickly even when stopped down to f/4. Additionally, full-frame users will notice distinct corner vignetting wide open and some barrel distortion at the edges, while the out-of-focus background elements (bokeh) can appear somewhat busy with clear "onioning" effects.

The Zeiss Batis 25mm f/2 lens is praised for outstanding, uniform sharpness, offering excellent resolution from f/2 to f/11 with very even performance across the frame. While sharpness begins to decline at f/22 due to diffraction, the lens maintains high-quality results for landscape and architectural, though its high price tag is a noted drawback. Key pros include the exceptional center-to-edge sharpness and a high-quality build featuring an innovative OLED display for depth of field. Minor cons include slight performance degradation at f/22 and a premium price point.

The Zeiss Batis 25mm F2 is a compact, lightweight wide-angle prime lens designed for Sony FE mount cameras, originally released in 2015. The review highlights its unique curved aluminum body design, a built-in OLED screen for focusing distance, and excellent weather sealing via a thick blue rubber gasket. Optically, the lens delivers impressive center sharpness from F2 to F11, features a very short 20cm minimum focus distance, and provides silent, accurate autofocus that easily keeps up with modern tracking systems like Eye-AF. However, the reviewer notes that it lacks modern physical on-lens controls and its original $1,200 retail price tag makes it hard to recommend against newer competitors. The lens possesses distinct optical strengths and weaknesses that users should consider. Its primary pros include high corner-to-corner sharpness across most apertures, strong control over chromatic aberration, an exceptionally smooth focus-by-wire ring, and minimal barrel distortion. Conversely, its notable cons are heavy wide-open vignetting, prominent focus breathing, incompatibility with modern in-camera breathing compensation features, and a tendency to create green or purple flaring when pointed directly at the sun. Furthermore, the out-of-focus...

Mark Galer's review highlights the Zeiss Distagon Batis 2/25 E-mount as a premium, native wide-angle prime lens built for optimum image quality on full-frame Sony Alpha cameras. A standout feature is its integrated OLED display on top of the barrel, which provides useful focus distance and depth of field parameters in low-light environments. The lens delivers spectacular, edge-to-edge sharpness and controls distortion beautifully using a floating element design and four double-sided aspherical elements. It also boasts a dust- and weather-sealed construction, a short 20cm minimum focusing distance for creating unique perspective depth, and a 9-blade circular aperture capable of generating highly defined 18-point sun stars. Despite its high performance, the reviewer notes a few drawbacks and market pressures. The primary optical compromise is its lack of built-in optical image stabilization, making it less ideal for low-light, hand-held street photography on older Sony bodies that lack in-body stabilization (such as the A6000 or first-generation A7 series). Additionally, it uses a 67mm filter thread, which is uncommon in Sony's own lens lineup and may force photographers to buy new filters. Galer also...