Sony FE 24 50mm F 2 8 G Avis | 54 Données comparées

The Sony FE 24-50mm f/2.8 G is a compact, full-frame standard zoom lens designed as a lighter, more affordable alternative to premium 24-70mm f/2.8 lenses. Weighing just 440 grams, it handles exceptionally well on smaller camera bodies like the Sony a7C II. Its primary advantages include physical controls like a customizable button, weather sealing, and an aperture ring that can be declicked for silent video shooting. Optically, the lens delivers excellent sharpness in the center of the frame across its entire zoom range, even when shot wide open at f/2.8. It also boasts a respectable 1:3 close-up macro capability at the 24mm end and exhibits strong resistance to ghosting and flare when shooting directly into the sun. However, the lens suffers from several distinct drawbacks, starting with its limited 24-50mm focal range. It lacks built-in image stabilization and powerful XD linear autofocus motors. While center sharpness is high, the corners suffer from noticeable blurring at 24mm due to aggressive digital distortion correction, requiring users to stop down to f/5.6 to sharpen the edges. Furthermore, out-of-focus highlights display a distracting "soap-bubble"...

The Sony FE 24-50mm F2.8 G is a compact, lightweight standard zoom lens that delivers superb image quality with a constant f/2.8 aperture and fast autofocus, making it ideal for low-light photography and video. Its premium construction includes weather sealing and a dedicated aperture ring, serving photographers who prioritize a smaller footprint over traditional, heavier zooms. However, the lens's primary limitation is its narrow, 24-50mm zoom range, which lacks the versatility of standard 24-70mm alternatives. While offering excellent, bright performance, its high price tag makes it a niche option compared to broader-range, high-quality alternatives, including the Sony FE 20-70mm F4 G.

The Sony FE 24-50mm F2.8 G is a lightweight and compact full-frame zoom lens designed primarily for travel and hybrid photo/video work. Priced at $1,098 (£1,149), it delivers impressive center sharpness across its focal range and features dual linear motors that ensure fast autofocusing and smooth face and eye tracking. Main advantages (pros) include its lightweight 440g build, excellent performance for video—such as minimal balance shift on gimbals—and robust physical handling featuring a clickless aperture switch and custom button. However, the compact design introduces notable trade-offs (cons), most prominently very high curvilinear distortion at 24mm in uncorrected raw files, which requires heavy digital or in-camera correction. Furthermore, the lens completely lacks built-in optical image stabilization, meaning users must rely entirely on the camera body's sensor stabilization. Corner sharpness also exhibits some softening across the aperture range compared to the sharp center performance, and optical diffraction begins to noticeably degrade image contrast starting at f/11.

The Sony FE 16-25mm f/2.8 G and FE 24-50mm f/2.8 G are compact, lightweight zoom lenses that offer a constant f/2.8 aperture, making them highly portable options for low-light shooting and travel. In terms of pros, both lenses feature fast, quiet dual-linear autofocus motors, physical aperture rings with a de-click switch, a customizable lens button, and weather-resistant designs with identical filter diameters. Optically, they deliver solid contrast, impressive sharpness, and effective flare resistance. Physically, they weigh just 409g and 440g respectively, maintaining a uniform form factor that pairs excellently with compact mirrorless bodies. However, these benefits come with distinct cons, most notably their highly restricted, unconventional zoom ranges that often force photographers to compromise on reach or pack an extra lens. Furthermore, they lack built-in optical image stabilization, forcing reliance entirely on the camera's body-based stabilization. The lenses also depend heavily on aggressive in-camera lens correction that is permanently baked into raw files; despite this automation, users will still notice lingering distortion, chromatic aberration, and prominent vignetting when editing uncorrected raw files in software like Lightroom Classic. Lastly, due to...

The Techgoondu review concludes that the Sony FE 24-50mm f2.8 G lens is a highly portable, versatile option for travel and hybrid shooters, featuring a compact 440g design perfect for smaller full-frame bodies like the A7C series. Key advantages include excellent image sharpness, smooth bokeh, fast dual linear motors for autofocus, and functional physical controls such as a de-clickable aperture ring. However, the lens has notable limitations, including a restricted 24-50mm zoom range that falls short of the standard 24-70mm reach, along with a reverse zoom mechanism. Furthermore, it relies on in-camera stabilization and requires significant digital profile corrections for pronounced distortion, making it a compromise for portability.

for the Sony 24-50mm F2.8 G lens: The review highlights the Sony 24-50mm F2.8 G as a highly portable, lightweight full-frame lens weighing just 440 grams, making it an excellent companion for compact bodies like the Sony a7C II. Among its standout pros are a robust, weather-sealed build, an aperture ring that can be de-clicked for video, outstanding center sharpness at 24mm (even wide open at f/2.8), and solid consistency at 50mm. It also earns high praise for impressive macro capabilities at the wide end, allowing photographers to get within an inch of a subject for a 1:3 life-size reproduction, alongside snappy and accurate autofocus driven by twin linear motors. However, the lens comes with distinct cons, most notably a very narrow zoom range that feels limiting compared to traditional 24-70mm options. It lacks the ultra-premium touches of a G Master lens, resulting in a busy, polygonal "soap-bubble" background bokeh rather than a smooth, creamy blur. Optically, there is noticeable corner blurring and heavy distortion at 24mm at f/2.8 that requires stopping down to f/5.6 to fix. Ultimately, because of...

The Sony FE 24-50mm f/2.8 G is described as a sharp, sturdy, and exceptionally lightweight zoom, offering excellent performance and superb bokeh without "onion-ring" artifacts, making it ideal for travel and street photography. Key pros include its quiet, fast autofocus, compact form factor, and high-quality optical results, though it is limited by a restricted 50mm maximum focal length. YouTube · Cons include the lack of a mechanical connection for the electronic manual focus ring and a build featuring plastic for the lens hood and filter threads, despite a premium metal exterior. Ultimately, it is a highly portable option for those prioritizing size and performance over a traditional wider zoom range.

The Sony FE 24-50mm f/2.8 G is a highly compact, full-frame standard zoom lens designed for Sony E-mount cameras, weighing just 440g (1lb) and measuring 74.8×92.3mm. Optically configured with 16 elements in 13 groups—including four aspherical and two extra-low dispersion (ED) elements—it delivers exceptional edge-to-edge resolution, contrast-rich images, and minimal distortion or color fringing. Key strengths and performance pros include its fast, silent, and accurate dual linear autofocus motors, a close-focusing distance of 18cm (7.1in) with a 0.33x magnification, and its ability to support high-speed continuous shooting up to 120fps on cameras like the Sony A9 III. Additionally, video shooters benefit from minimal focus breathing, full compatibility with active stabilization and breathing compensation, and a de-clickable physical iris ring for smooth aperture adjustments. The primary cons of the lens lie in its limited zoom range, which spans from 24mm to 50mm rather than the more conventional 24-70mm standard. This shorter reach makes it less suitable for traditional portrait photography, though it excels as a wide-angle landscape or vlogging lens. It also lacks built-in optical image stabilization, relying instead on camera...

The DPReview sample gallery highlights the Sony FE 24-50mm F2.8 G as a highly portable "walk-around" lens, offering a lightweight design with a constant f/2.8 aperture, satisfying physical controls, and fast, quiet autofocus. Its strong center resolution and smooth bokeh are key advantages for everyday shooting. Conversely, the lens relies heavily on software to correct severe barrel distortion at 24mm, resulting in reduced corner sharpness without profiles. Additionally, it features a limited 24-50mm range and an external reverse-zoom design, sacrificing telephoto reach for its compact form factor. For the full sample gallery and review, visit DPReview.